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From Camera Drones to Augmented Reality, Here Are Snap’s Newest Products and Features
Christian Hetrick
Christian Hetrick is dot.LA's Entertainment Tech Reporter. He was formerly a business reporter for the Philadelphia Inquirer and reported on New Jersey politics for the Observer and the Press of Atlantic City.
Social media giant Snap is selling a new product that could change the way you see the world—but no, it’s not the company’s long-awaited augmented reality glasses.
On Thursday, the Santa Monica-based firm launched a flying camera called Pixy, a pocket-sized drone that could take your next selfie from an aerial view. The Snapchat-connected drone was probably the biggest surprise from Snap’s Partner Summit, an annual event when the company shares updates on its products, features and partnerships.
But Pixy wasn’t the only major announcement. From augmented reality (AR) at concerts to a new way to shop online, here are some highlights from the Snap summit:
Virtual Dressing Rooms
Snap is launching a Dress Up tab on the Snapchat app where users can virtually try on apparel using augmented reality. The company has already deployed AR shopping, but Dress Up will create a dedicated destination—just a tap away from the app’s camera—where users can browse items, share looks and bookmark outfits and accessories.
To date, AR shopping has allowed Snapchatters to preview 3D models of sneakers on their feet or sunglasses on their faces using their smartphone cameras. On Thursday, Snap announced users can now virtually try on clothes using full-body photos, with Snap overlaying products onto the pictures.
Snap has pitched AR as an innovative way for brands to advertise, drive sales and reduce item returns. Most shopping experiences on Snapchat link to an external website for customers wanting to buy products, a spokesperson said.
The company is now offering new software tools to make it easier for retailers to make AR versions of their items, using existing product images. Snap also announced that companies can integrate its AR try-on experience onto their own platforms; Puma will be the first company to use the technology to let shoppers digitally try sneakers directly on its own app.

AR at Music Festivals
Snap has recently taken steps to bring AR experiences to physical locations like local landmarks and small businesses. Now, Snap is bringing AR to music festivals through a multi-year partnership with Beverly Hills-based Live Nation.
Starting with the Electric Daisy Carnival next month in Las Vegas, concertgoers can use AR to try on merchandise, find friends and discover AR experiences around the festival grounds. Other festivals that will be deploying Snap’s AR include Lollapalooza in Chicago, Wireless Festival in London, Rolling Loud in Miami and The Governors Ball in New York, the company said.
Snap’s New Camera Drone
As mentioned, Snap will now sell a pocket-sized flying camera called Pixy. CEO Evan Spiegel pitched the device as a new creative tool allowing users to capture photos and videos from new, aerial angles.
The mini-drone comes with four preset flight paths that users can select with the press of a button, no controller needed. Pixy “knows when and where to return” and lands gently in the palm of your hand, Spiegel said. From there, users can wirelessly transfer the aerial shots to their Snapchat accounts.
The Pixy device costs $230 to buy. Snap advised customers to check out their local laws and regulations around drones before letting Pixy take flight.
Snap’s AR glasses, meanwhile, are not yet for sale. The latest Spectacles are currently being tested by “hundreds” of developers who’ve received early access, according to Sophia Dominguez, Snap’s head of AR platform partnerships.
Director Mode for Creators
Speaking of creative tools, Snapchat is rolling out a new suite of camera and editing features, called Director Mode, allowing users to make more polished content.
One feature will allow creators to use a smartphone’s front-facing and back-facing cameras at the same time—letting them record what’s in front of them while capturing their reaction simultaneously.
Snap is also making it easier to seamlessly transform the backgrounds of videos through its Green Screen mode—similar to an existing feature on TikTok—while its Quick Edit mode lets users easily edit together multiple Snaps. Director Mode will roll out on Apple devices in the coming months, followed by Android devices later this year.

Big User Numbers
In addition to new products and features, Snap’s executives touted the size and engagement of the company’s user base.
Snapchat now reaches more than 600 million monthly active users, they said Thursday, up from the 500 million reported last May. Last week, the company reported it had 332 million daily active users.
As TechCrunch recently noted, Snapchat has been growing faster than rivals Facebook and Twitter—though TikTok remains the dominant social media app of the moment, with the most downloads in the first quarter of this year and more than 1 billion monthly active users as of last year.
Snapchat users have embraced its AR offerings, with people interacting with the app’s AR Lenses 6 billion times per day on average, Spiegel noted.
“What was once a far-off vision for computing overlaid on the world through augmented reality is possible today through our camera,” he said.From Your Site Articles
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Christian Hetrick
Christian Hetrick is dot.LA's Entertainment Tech Reporter. He was formerly a business reporter for the Philadelphia Inquirer and reported on New Jersey politics for the Observer and the Press of Atlantic City.
Did TikTok Disinformation Just Decide the Next President of the Philippines?
02:02 PM | May 10, 2022
Photo by Solen Feyissa on Unsplash
Ferdinand Marcos Jr. is set to become the Philippines’ next president—a victory likely resulting from misinformation spread on TikTok, Business Insider reported ahead of Monday’s election.
Since Marcos Jr.’s father, former dictator Ferdinand Marcos Sr., was ousted in 1986, BI reported that the family has turned to social media to improve their public image. Marcos Jr.’s campaign paid social media influencers to publicly support him, indicating the role TikTok content played in promoting him as the country’s next leader. TikTok’s lack of transparency regarding how its algorithm spreads content and the amount of misinformation on the app influenced the election, according to BI.
The Chinese video-sharing app headquartered in Culver City officially partnered with the Philippine Commission on Elections to provide reliable information, but BI’s investigation noted that the app’s easy-to-use features helped misinformation run rampant. Pipo Gonzalez, a member of the fact-checking project Tsek.ph, told BI that most misinformation supported Marcos Jr.
Influencers and meme accounts in the Philippines are often paid by political campaigns in exchange for promotion. But Marcos Jr. may be one of the first to follow the new playbook for brands looking to increase their reach without breaking the bank by paying micro-influencers—those with a comparatively small amount of followers—to shill for him. This allows TikTok's algorithm to be exploited to push out narratives that blur personal views with deliberate misinformation.
JM Lanuz, an assistant professor of political science at the University of the Philippines, told BI, "Since the influencers have smaller audiences, it's harder to track. It's harder to see where this information originated from, how big the reach is."
One roadblock to identifying misinformation is the many languages spoken in the Philippines, according to Ciaran O'Connor, an analyst at the Institute for Strategic Dialogue. Moderating content not made in English, O’Connor said, is often a challenge for social media platforms.
"TikTok prohibits election misinformation and works with independent fact-checking organizations who help assess content so that violations of our Community Guidelines can be promptly removed," a TikTok spokesperson told Insider.
This wouldn’t be the first offensive for TikTok; last month, the nonprofit group Tracking Exposed found that pro-war propaganda spread throughout Russia on the social platform, despite the app’s crackdown of any new content uploaded from inside the country.
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Kristin Snyder
Kristin Snyder is dot.LA's 2022/23 Editorial Fellow. She previously interned with Tiger Oak Media and led the arts section for UCLA's Daily Bruin.
https://twitter.com/ksnyder_db
The Big Ten's $8B Mega Media Deal Kicks Off a New Era in Sports Streaming
02:43 PM | August 18, 2022
Photo by Sean Pierce on Unsplash
Hot on the heels of the shock announcement that both UCLA and USC will be exiting the Pac-12 and joining the Big Ten athletic conference, a fleet of big money media and broadcasting deals have been set.
It’s no secret that access to the lucrative Southern California ad market was a big part of the rationale behind bringing in Los Angeles’ two largest college athletic programs in the fold. With the addition of USC and UCLA, the Big Ten now has teams playing in New York, Chicago and L.A.: all three of the nation’s top media markets. (Further expansions have already been hinted at as well.)
CBS, NBC and Fox have signed on as the Big Ten’s three broadcast partners. They’ll broadcast the various football games on TV, while some will also go to cable’s FS1 and Big Ten networks. The three networks will also take turns airing the season-ending Big Ten championship game. Fox will televise a total of four of these games, while CBS and NBC landed just one each. Most of these NBC broadcasts will also be available to stream on Peacock, while CBS matches will go to Paramount Plus. It’s not a huge change for CBS and Fox, where Big Ten games have lived for years. Newcomer NBC Sports also licenses Notre Dame football games, which handles its own media contracts.
In total, the Big Ten will get nearly $8 billion for football streams and broadcasts through the close of the 2029-2030 season. (And they don’t even have to share any of that with the players!) They’ve also left the Pac-12 in an increasingly precarious situation, as it’s now forced to make its own rights deals at a considerable discount. The conference’s highest-profile teams at this point are now the Arizona Wildcats, the Oregon Ducks and the Stanford Cardinals.
Overall, it’s a transitional moment for live sports broadcasting, as more and more U.S. viewers depart from traditional cable and TV packages in favor of an all-streaming, all-the-time approach. (According to Nielsen, streaming viewership surpassed both cable and traditional broadcasting for the very first time in July 2022, with a record 34.8% share of all TV viewing in the U.S.) Live sports have been one of the final offerings that tie U.S. households to their old-school cable subscriptions, but even these broadcasts have started to move online.
Next month, Sinclair will launch Bally Sports Plus, a new streaming platform bringing together 19 regional sports cable networks from across the U.S. For $19.99/month or $189.99 for a year, subscribers get access to a wide variety of Major League Baseball, NBA and NHL games from major markets across the U.S., along with local college and prep matches and events. Sinclair acquired these regional sports networks – known as RSNs – from Fox in 2019. They were previously available as a package from DirecTV, but it remains to be seen whether they will have appeal for subscribers as a standalone entity. Nonetheless, the era of broadcast TV’s total dominance on sports content appears to be at an end.
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Lon Harris
Lon Harris is a contributor to dot.LA. His work has also appeared on ScreenJunkies, RottenTomatoes and Inside Streaming.
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