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XHow to Startup: Mission Acquisition
Spencer Rascoff serves as executive chairman of dot.LA. He is an entrepreneur and company leader who co-founded Zillow, Hotwire, dot.LA, Pacaso and Supernova, and who served as Zillow's CEO for a decade. During Spencer's time as CEO, Zillow won dozens of "best places to work" awards as it grew to over 4,500 employees, $3 billion in revenue, and $10 billion in market capitalization. Prior to Zillow, Spencer co-founded and was VP Corporate Development of Hotwire, which was sold to Expedia for $685 million in 2003. Through his startup studio and venture capital firm, 75 & Sunny, Spencer is an active angel investor in over 100 companies and is incubating several more.
Numbers donβt lie, but often they donβt tell the whole story. If you look at the facts and figures alone, launching a startup seems like a daunting enterprise. It seems like a miracle anyone makes it out the other side.
- 90% of startups around the world fail.
- On average, it takes startups 2-3 years to turn a profit. (Venture funded startups take far longer.)
- Post-seed round, fewer than 10% of startups go on to successfully raise a Series A investment.
- Less than 1% of startups go public.
- A startup only has a .00006% chance of becoming a unicorn.
Ouch.
If your goal is to reach billion-dollar valuation and be publicly traded, the odds will never be in your favor. It does happen, of course, but itβs an exceedingly rare outcome for even the best startups. Holding on too tightly to that hypothetical can actually work against you, blinding you to the importance of planning for a different kind of exit.
Itβs been said before, but it bears repeatingβcompanies are bought, not sold. Better exits happen when someone sees the value your startup can bring to their business and is actively trying to purchase it, rather than you having to convince prospective buyers of what your services or products can bring to the table. In the latter scenario, your footing is much less secure and your odds of a successful transaction are inherently lower. You have much more power and are in a much better position when buyers are actively pursuing you.
Getting acquired may not feel like the fairy tale ending your startup deserves, but itβs more than just a back up planβand it doesnβt happen by accident. Beginning to build the infrastructure today can give you much more control of what happens to your company in the future.
Hereβs my advice to startup founders who want to be savvy about their acquisition strategy:
- Make a Buyer List: If your startup has successfully reached Series A or B funding, itβs time to put pen to paper and make a list of your top potential acquirers. Doing so does not indicate failure, just prudence. Who is in your space and could benefit from your company? What company would you like to be a part of? Who shares your mission? Questions like these can help guide you. Aim for having between 10 and 25 potential acquirers in mind.
- Make Connections: Now that you have your short list of companies, be intentional about reaching out and forging relationships with their leadership team. Shoot for the topβa CEO-level contact is ideal. Also consider speaking with people at Corporate Development, but donβt forget another key area of focusβthe operating level.
Say, for example, youβre a rental software startup that serves the multifamily sector. Zillow would be a natural fit for your M&A list. Instead of just going after the Corp Dev contact, get to know the person at Zillow who runs the rental business. M&A deals need executive sponsors from the operating unit. Understanding what they do and how they do it is a big advantage when envisioning how your start up can fit into their ecosystem. - Make Those Connections Count: After youβve connected with the right people at your potential acquirers, make sure you keep them in the loop. Every quarter or six months, reach out to them directly to keep them apprised of whatβs going on in your business areas. Tell them what youβre working on. Share your big wins. Ask about potential business development partnerships. See how you might be able to sync up and compare notes.
If you go into these conversations in the name of collegial collaboration, you can form meaningful business relationships that can lead to the best possible outcome for both parties: your startup getting acquired and their company gaining new value.
We acquired 16 companies during my decade as CEO of Zillow. I estimate that the median length of time from the first time I met each of those 16 founders to when the acquisitions were completed was three years. It takes a long time to build relationships with strategic acquirers. Get started now.
- Column: Advice to CEOs on Their Upcoming Layoffs β From Someone Who Has Done it Before βΊ
- Column: How to Start a Corporate Social Responsibility Program at Your Startup β and Why βΊ
- How To Structure Your Board: From Pre-Seed to IPO βΊ
- Why a Startup Needs a Board: The Why and How of Constructing a Board Early βΊ
Spencer Rascoff serves as executive chairman of dot.LA. He is an entrepreneur and company leader who co-founded Zillow, Hotwire, dot.LA, Pacaso and Supernova, and who served as Zillow's CEO for a decade. During Spencer's time as CEO, Zillow won dozens of "best places to work" awards as it grew to over 4,500 employees, $3 billion in revenue, and $10 billion in market capitalization. Prior to Zillow, Spencer co-founded and was VP Corporate Development of Hotwire, which was sold to Expedia for $685 million in 2003. Through his startup studio and venture capital firm, 75 & Sunny, Spencer is an active angel investor in over 100 companies and is incubating several more.
'You Talking to Me?' This New Startup Uses Deepfake Technology for Movie Dubbing
Robert De Niro's performance seemed totally off. In fact, nothing about the movie was working.
The problem, as Scott Mann saw it, was that the dubbing process had created a dissonance between the original film and the translated version he was watching, the cumulative effect of which was that it had "become a different film." That was Mann's opinion when he first saw a translated version of "Heist," the 2015 film about a casino robbery that he directed.
"I saw the foreign translations of my film, and I was horrified," said Mann, who lives in the Hollywood Hills. "As filmmakers we don't tend to watch our own movies in foreign languages and when I was made aware of it, it really shocked me."

International markets have become more important than ever for film and television. Projects rely on foreign audiences to recoup their costs; as the U.S. market grows saturated, streaming services are increasingly competing for overseas viewers.
Netflix, for instance, consistently sees foreign-produced projects like "Money Heist" (aka "La Casa de Papel") and "Lupin" as among its most popular shows. Last year "Parasite" became the first foreign-language film to win an Oscar for Best Picture.
As Mann sought a better solution for his films, he says he came across a research paper that described a new artificial intelligence solution to the dubbing problem. On Monday, he launched a company that uses the technology, and which he hopes will become the new standard in Hollywood and beyond.
Flawless, which Mann co-founded with Nick Lynes of his native England, uses technology that was developed by a team of researchers at Germany's Max Planck Institute. In the paper detailing their "style-preserving" approach, the group explains how their technique improves upon the dubbing technology the industry relies on.
Traditional dubbing techniques can be categorized into two groups, they write. In the audio-only approach, a foreign-language "source" actor recites the translated script and the resulting audio file is merged with the original video of the "target" actor. The translated script must be rewritten, of course, and is often done so to try to preserve alignment between the lip movements of the target actor and the audio footage from the source's translation. For example, when the target actor pronounces a close-mouthed "b", "m" or "p" sound in the original, the translated script aims to use a foreign word that requires a similar lip movement. But working within these constraints can cause the script's nuances to get literally lost in translation.
The second approach, called "visual dubbing," changes the visual footage of the original performance, so that the actor's lip movements align with the translated audio. The downside, write the researchers, is that doing so "removes the person-specific idiosyncrasies and the style of the target actor, and makes the target actor's face move unnaturally like the source actor."
The new technology uses artificial intelligence to transfer the source actor's lip movements so that, by contrast, it matches the target actor's characteristic style. In doing so, the company hopes it will appear to viewers that De Niro himself is actually speaking the dubbed foreign language.
How Flawless Works
The startup uses technology similar to "deepfake" techniques that manipulate video footage to make a subject appear to be saying something he or she is not. In Flawless' case the technology is used in service of a more realistic translation of the film, rather than, say, creating an embarrassing moment for a politician or celebrity.
To achieve that, its artificial intelligence and machine learning model analyzes video footage of the actor β De Niro, in this example β to learn the subtle nuances of how his lip movements relate to other features of his face, including head position and eye motion. On the other end, it analyzes the translator's performance, then generates new footage that maintains De Niro's style while incorporating the lip movements of the translator. The new footage is rendered exclusively on the actor's (De Niro's) face, and keeps the original background unchanged.
The original researchers write that five-minute videos are sufficient for training their "style translator." Mann added that "for 'locked/completed' productions, the process takes around 10 weeks from ingestion to finals."
The company has signed its first contract but is "sworn to secrecy on the details," Mann said, adding that pricing will be based on the number of translations and the length of the film.
The company has so far been self-financed. It received some external funding in 2020, but won't disclose how much. Lynes wrote it will be raising a Series A round of funding later this year.
In their paper, the researchers cautioned that their technology could be used in pernicious ways as well. They say they have been working on AI technology "to detect synthetically generated or edited video at high precision to make it easier to spot forgeries."
Despite that potential, Mann thinks the technology could "completely change filmmaking" β well beyond dubbing.
"What you're constantly doing as a filmmaker is you're doing the same thing again and again from different angles," he said."From a production point of view, that's very time consuming and expensive. What this allows, is you could get one great take, from one angle and then essentially have it recreated from other angles."
He also thinks it could make remaking foreign films a thing of the past.
"Rather than having to remake a movie in English and all these different languages, we'll be able to enjoy the original," he said. "I think that will have an effect on the international community of filmmaking, and all types of actors that really should be on the world stage but currently aren't because no one speaks that language."
"I do think this is the tip of the iceberg on this technology in the film field," he added.
- Filmhub Raises $6.8 Million to Make Film Distro Easier - dot.LA βΊ
- A Day in LA with the Deepfake Artists Trying To Make the Digital World as Real as the Physical One - dot.LA βΊ
- Vocal Deepfakes Question Who You're Really Listening To - dot.LA βΊ
- Vocal Deepfakes Question Who You're Really Listening To - dot.LA βΊ
- Darren Aronofsky on Why the Human Effort is Irreplaceable - dot.LA βΊ
- Storia is Betting Big on Hollywoodβs Desire for AI Movies - dot.LA βΊ
Sam primarily covers entertainment and media for dot.LA. Previously he was Marjorie Deane Fellow at The Economist, where he wrote for the business and finance sections of the print edition. He has also worked at the XPRIZE Foundation, U.S. Government Accountability Office, KCRW, and MLB Advanced Media (now Disney Streaming Services). He holds an MBA from UCLA Anderson, an MPP from UCLA Luskin and a BA in History from University of Michigan. Email him at samblake@dot.LA and find him on Twitter @hisamblake
An LA AI Company Just Won Entertainmentβs Backing
π¦ Spotlight
Hello LA.
The entertainment industry has spent the past several years debating what generative AI could take from creators.
This week, some of its biggest companies put money behind an AI startup promising to build something for them instead.
Los Angeles-based Stability AI raised $76M in Series B funding from an investor group that includes Electronic Arts, Sony Music Group, Universal Music Group and Warner Music Group. AMD Ventures and Pacific Alliance Ventures also joined the round, while LA-based MANTIS Capital and Sound Ventures are among the companyβs existing backers.
The financing brings Stability AIβs total funding under CEO Prem Akkaraju to $232M, including two equity rounds and convertible notes. The company plans to use the new capital to expand its creative production tools, applied research and professional services across music, gaming and entertainment.
The amount is notable. The names attached to it are the bigger story.
Generative AIβs arrival in entertainment has been anything but quiet. Artists have questioned whether their work was used to train models without permission. Studios have faced pressure over how the technology could affect jobs. Record labels have pursued AI companies in court while simultaneously exploring how the same technology might fit into their businesses.
Now, several of the worldβs largest entertainment companies are investing directly in one.
That does not mean the industry has resolved its concerns about AI. It means some of its biggest players would rather help shape the technology than wait to see what it becomes.
Stability AI is positioning itself for that opening. Rather than focusing solely on general-purpose models, the company is building tools specifically for professional creatives. Its recently launched Stable Audio 3.0 was trained on fully licensed music and lets artists generate, edit and arrange audio through a web platform or directly inside digital audio workstations.

That licensed-data approach is central to the pitch. The next phase of creative AI will not be decided only by which company produces the most impressive model. It will also depend on which companies can earn the trust of the artists, studios and rights holders whose work gives those models value.
For its new strategic investors, the round offers more than financial upside. It creates a closer view into how generative AI may change production, a voice in how the tools develop and an opportunity to establish rules before those rules are established for them.
For Stability AI, the backing provides something equally important: credibility inside industries that have every reason to scrutinize what it is building.
The company now has capital and access to some of the largest catalogs, franchises and creative workforces in entertainment. What it does with that access will determine whether this becomes a meaningful alliance or simply an impressive collection of logos.
Either way, the industry is no longer watching from a safe distance.
It has entered the room.
LAβs Air-Taxi Plans Are Coming Downtown
While Stability AI is trying to change how entertainment gets made, Archer Aviation wants to change how people get to it.
AEG and Archer announced plans to develop downtown Los Angelesβ first vertiport at L.A. LIVE, creating a potential new stop in Archerβs proposed electric air-taxi network ahead of the 2028 Olympic and Paralympic Games.

The planned site would sit beside Crypto.com Arena and allow passengers to travel to and from the entertainment district aboard Archerβs Midnight aircraft. The company says its network could turn drives that take an hour or longer into electric flights lasting approximately 10 to 20 minutes.
Archer has already identified SoFi Stadium, USC and Hollywood Burbank Airport as possible locations, with its recently acquired Hawthorne Airport expected to serve as the networkβs central operating hub. As the official air-taxi provider of LA28 and Team USA, Archer has an unusually visible deadline for turning those plans into something tangible.
AEG and Archer have completed an initial feasibility study of the L.A. LIVE site, including reviews of land use, airspace, power availability and community impact. The next phase will examine operations and the passenger experience.
There is still a substantial distance between a proposed vertiport and a functioning air-taxi network. The infrastructure must be built, regulatory approvals must be secured and passengers must be persuaded that flying across the city is safer and more practical than staying on the ground.
Still, few locations could make that future feel more real than L.A. LIVE. Millions of people already pass through the district for concerts, games and major events. Placing a vertiport there would bring urban air mobility out of the concept stage and directly into public view.
Together, this weekβs announcements show Los Angeles becoming a testing ground for two technologies still moving from promise toward everyday use.
One could reshape how entertainment is created. The other could reshape how Angelenos reach it.
In a city famous for both its creative industries and its traffic, that feels appropriately on brand.
More from this weekβs LA startup and venture scene below.
π€ Venture Deals
LA Companies
- Atorie raised a $9.5M seed round from investors including a16z speedrun, Night Capital and Lightspeed Venture Partnersβ Jeremy Liew. The AI-powered fashion startup connects consumers directly with luxury manufacturers to offer high-quality goods without traditional designer markups, and will use the funding to expand logistics, production and its AI shopping tools. - learn more
- Long Beach-based Maglut Heavy Industries emerged from stealth with $3.1M in pre-seed funding from Wave Function, Nova Threshold and Julian Capital. The startup is developing a chromatography-based system to process and refine rare earth elements domestically, with pilot tests producing materials at more than 99.9% purity. - learn more
- MANTIS Venture Capital participated in Voya Energyβs $35M Series A, led by Energy Impact Partners and joined by John Doerr, StepStone, Founders Fund, Overmatch and Seven Stars. The Hayward-based startup will use the funding to commercialize its aluminum-fueled generators, which provide clean, off-grid power for data centers and other energy-intensive operations without combustion or local air emissions. - learn more
- Regeneration.VC participated in eComIDβs $17M seed round, led by Systemiq Capital and joined by Course Corrected, Stadium and returning investor CapitalT. The Stockholm-based startup will use the funding to expand internationally and scale its AI-powered Shopping Passport, which helps retailers personalize sizing and product discovery while reducing returns. - learn more
- Clocktower Technology Ventures participated in Helcimβs $53M Series C, led by BDC Capitalβs Growth Venture Fund and joined by new investors Curql Collective and LA-based Gold House Ventures. The Calgary payments company will use the funding to expand its platform, develop additional financial services and serve more small and midsize businesses across North America. - learn more
LA Exits
- Altruist agreed to be acquired by Vanguard, giving the Los Angeles-based wealth technology and custody platform greater resources to expand its tools for independent financial advisors. Altruist will continue operating as a standalone business under its existing leadership and brand after the deal closes, which is expected later this year pending regulatory approval; financial terms were not disclosed. - learn more
- Personality AI has been acquired by WildBrain for approximately $11M in cash and 1M WildBrain shares upfront, with additional payments tied to future performance. The startup develops kid-safe conversational AI experiences for entertainment characters, including βHey Peppa Pig,β and will help WildBrain expand its franchises into interactive products across toys, apps and digital platforms. - learn more


