Coronavirus Updates: California Unemployment Claims at 1.9M; L.A. Amazon Worker Contracts Covid-19; Disney Initiates Furloughs

Coronavirus Updates: California Unemployment Claims at 1.9M; L.A. Amazon Worker Contracts Covid-19; Disney Initiates Furloughs

Here are the latest headlines regarding how the novel coronavirus is impacting the Los Angeles startup and tech communities. Sign up for our newsletter and follow dot.LA on Twitter for the latest updates.

Today:

  • Amazon Warehouse Worker in L.A. Tests Positive, As Company Struggles with Covid-19
  • USC Shows (and Ranks) L.A. Neighborhoods With COVID-19 Cases
  • Gov. Newsom to small businesses: "Let's get ahead of the queue"
  • L.A. County records 78 deaths, cases top 4,000
  • Patrick Soon-Shiong wants to buy shuttered hospital, convert to COVID-19 command center
  • Disney announces furloughs amid pandemic, but employees keep healthcare

    Disney announces furloughs amid pandemic, but employees keep healthcare

    upload.wikimedia.org

    Days after Disney announced top executives would take salary cuts to save money, the entertainment giant notified employees that many of them "whose jobs aren't necessary at this time" will be furloughed. "All impacted workers will remain Disney employees," the company said Thursday, meaning they will continue receiving healthcare benefits as paychecks are cut. Disney has 223,000 workers and is L.A.'s biggest employer. It is expected many of the cuts would come from the company's theme parks that have been closed, and it was not known how many employees would lose their job from the studio and other businesses.

    Patrick Soon-Shiong wants to buy shuttered hospital, convert to COVID-19 command center

    Dr. Patrick Soon-Shiong, one of L.A.'s richest men, wants to use his family foundation to buy shuttered St. Vincent Medical Center near downtown and convert it into a hospital to treat COVID-19 patients and conduct coronavirus research. The story was first reported by The Los Angeles Times, which Soon-Shiong owns.

    The Chan Soon-Shiong Family Foundation has offered to purchase the medical campus out of bankruptcy for $135 million. Terms of the bid were not disclosed. St. Vincent has been closed since January as the sprawling medical facility fell into bankruptcy. All bids for the hospital must be submitted to a judge by Friday. A final hearing on the sale is scheduled later next week.

    L.A. County records 78 deaths, cases top 4,000

    Another 13 people died of the novel coronavirus in Los Angeles County and officials logged 534 new cases on Thursday, pushing the total number of people that tested positive past 4,000.

    So far, 78 people have died in the county. Of the most recent deaths, 12 were over the age of 65, while one was between 41 and 65. With the exception of one individual over 65, all had underlying health conditions.

    The daily count of COVID-19-positive individuals increased by 1,000 in the past 48 hours, bringing to the total to 4,045.

    The increasing number has put strain on hospitals. Los Angeles County Public Health Director Barbara Ferrer said that about 22% of positive cases in L.A. have required hospitalization at some point. As of Thursday, 241 individuals were in hospital beds — about two thirds of them had no underlying health conditions, Ferrer said. She said there are five COVID-19 patients now in intensive care that are under 35 and a couple have no underlying health conditions.

    Statewide, the death toll rose past 200 and on Wednesday. In a sign of just how concerned officials are, Los Angeles Mayor Eric Garcetti urged the city's 4 million residents on Wednesday to wear protective face covering to stem the spread of the fast-moving virus. To punctate his point, he donned a black mask, saying "I know it will look surreal. We're going to have to get used to seeing each other like this."

    The news comes as new cases have emerged among the homeless and jailed population — both groups officials have been closely monitoring. There have been nine cases among homeless. At the county jail, seven individuals have tested positive, including one inmate. At the Lancaster State Prison, six inmates have the virus. Two homeless shelters have also reported Covid-19 cases.

    Gov.  Newsom to small biz: "Let's get ahead of the queue"

    California Governor Gavin Newsom spoke directly to state business owners in his daily coronavirus address on Thursday, briefing them on several new statewide programs, and imploring them to begin the process of registering for federal help. Since March 12, 1.9 million Californians have applied for unemployment insurance, he said.

    Newsom introduced two actions he says will help make it easier for small businesses in California to get back on their feet. The first is an interest-free, no-penalty deferral of taxes for up to $50,000 for one year. The governor called that a "bridge loan" to help businesses recover.

    The second is a $50M program to provide loans for California businesses who, for one reason or another, don't qualify for federal assistance.

    Newsom also strongly encouraged businesses to sign up for the federal programs that will provide grants and loans to struggling businesses. Registration for those programs open tomorrow.

    Newsom stressed it's "profoundly important" people fill out their forms as soon as possible, in particular for the "paycheck protection program," a grant program that allows businesses who keep paying at least 75% of their employees to be reimbursed by the federal government.

    "Let's get ahead of the queue," he said.

    Newsom also touted an effort led by Fresno-based jobs site Bitwise to match unemployed Californians with jobs in high demand called OnwardCa.org. The site, he said, is prioritizing four industries in particular: healthcare, agriculture, logistics, and grocers.

    USC Shows (and Ranks) L.A. 'Hoods With COVID-19 Cases

    Tami Abdollah

    Los Angeles locals have always known it is a city of neighborhoods, but this novel coronavirus has made that especially clear. The official lines on where neighborhoods begin and end, and where cases are to be found, have never seemed so murky.

    On Thursday, the USC Viterbi School of Engineering released two new COVID-19 data visualizations that aim to make at least where COVID-19 cases are being found, more clear. Read more >>

    Amazon Warehouse Worker in L.A. Tests Positive, As Company Struggles with Covid-19

    Monica Nickelsburg, GeekWire

    At least 30 of the fulfillment centers that power Amazon's e-commerce business have outbreaks of COVID-19, according to news reports and employee accounts. The most recent case in Los Angeles was reported Wednesday, when Amazon confirmed to City News Service that an employee at their warehouse in Atwater Village has tested positive for COVID-19. The mounting cases are sparking walkouts, frustration, and an unprecedented challenge for a tech company that finds itself at the center of the coronavirus pandemic. Read more >>

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    Here’s Why Streaming Looks More and More Like Cable

    Lon Harris
    Lon Harris is a contributor to dot.LA. His work has also appeared on ScreenJunkies, RottenTomatoes and Inside Streaming.
    Here’s Why Streaming Looks More and More Like Cable
    Evan Xie

    The original dream of streaming was all of the content you love, easily accessible on your TV or computer at any time, at a reasonable price. Sadly, Hollywood and Silicon Valley have come together over the last decade or so to recognize that this isn’t really economically viable. Instead, the streaming marketplace is slowly transforming into something approximating Cable Television But Online.

    It’s very expensive to make the kinds of shows that generate the kind of enthusiasm and excitement from global audiences that drives the growth of streaming platforms. For every international hit like “Squid Game” or “Money Heist,” Netflix produced dozens of other shows whose titles you have definitely forgotten about.

    The marketplace for new TV has become so massively competitive, and the streaming landscape so oversaturated, even relatively popular shows with passionate fanbases that generate real enthusiasm and acclaim from critics often struggle to survive. Disney+ canceled Luscasfilm’s “Willow” after just one season this week, despite being based on a hit Ron Howard film and receiving an 83% critics score on Rotten Tomatoes. Amazon dropped the mystery drama “Three Pines” after one season as well this week, which starred Alfred Molina, also received positive reviews, and is based on a popular series of detective novels.

    Even the new season of “The Mandalorian” is off to a sluggish start compared to its previous two Disney+ seasons, and Pedro Pascal is basically the most popular person in America right now.

    Now that major players like Netflix, Disney+, and WB Discovery’s HBO Max have entered most of the big international markets, and bombarded consumers there with marketing and promotional efforts, onboarding of new subscribers inevitably has slowed. Combine that with inflation and other economic concerns, and you have a recipe for austerity and belt-tightening among the big streamers that’s virtually guaranteed to turn the smorgasbord of Peak TV into a more conservative a la carte offering. Lots of stuff you like, sure, but in smaller portions.

    While Netflix once made its famed billion-dollar mega-deals with top-name creators, now it balks when writer/director Nancy Meyers (“It’s Complicated,” “The Holiday”) asks for $150 million to pay her cast of A-list actors. Her latest romantic comedy will likely move over to Warner Bros., which can open the film in theaters and hopefully recoup Scarlett Johansson and Michael Fassbender’s salaries rather than just spending the money and hoping it lingers longer in the public consciousness than “The Gray Man.”

    CNET did the math last month and determined that it’s still cheaper to choose a few subscription streaming services like Netflix and Amazon Prime over a conventional cable TV package by an average of about $30 per month (provided you don’t include the cost of internet service itself). But that means picking and choosing your favorite platforms, as once you start adding all the major offerings out there, the prices add up quickly. (And those are just the biggest services from major Hollywood studios and media companies, let alone smaller, more specialized offerings.) Any kind of cable replacement or live TV streaming platform makes the cost essentially comparable to an old-school cable TV package, around $100 a month or more.

    So called FAST, or Free Ad-supported Streaming TV services, have become a popular alternative to paid streaming platforms, with Fox’s Tubi making its first-ever appearance on Nielsen’s monthly platform rankings just last month. (It’s now more popular than the first FAST service to appear on the chart, Paramount Global’s Pluto TV.) According to Nielsen, Tubi now accounts for around 1% of all TV viewing in the US, and its model of 24/7 themed channels supported by semi-frequent ad breaks couldn’t resemble cable television anymore if it tried.

    Services like Tubi and Pluto stand to benefit significantly from the new streaming paradigm, and not just from fatigued consumers tired of paying for more content. Cast-off shows and films from bigger streamers like HBO Max often find their way to ad-supported platforms, where they can start bringing in revenue for their original studios and producers. The infamous HBO Max shows like “The Nevers” and “Westworld” that WBD controversially pulled from the HBO Max service can now be found on Tubi or The Roku Channel.

    HBO Max’s recently-canceled reality dating series “FBoy Island” has also found a new home, but it’s not on any streaming platform. Season 3 will air on TV’s The CW, along with a new spinoff series called (wait for it) “FGirl Island.” So in at least some ways, “30 Rock” was right: technology really IS cyclical.

    As TikTok Faces a Ban, Competitors Prepare to Woo Its User Base

    Kristin Snyder

    Kristin Snyder is dot.LA's 2022/23 Editorial Fellow. She previously interned with Tiger Oak Media and led the arts section for UCLA's Daily Bruin.

    As TikTok Faces a Ban, Competitors Prepare to Woo Its User Base
    Evan Xie

    This is the web version of dot.LA’s daily newsletter. Sign up to get the latest news on Southern California’s tech, startup and venture capital scene.

    Another day, another update in the unending saga that is the potential TikTok ban.

    The latest: separate from the various bills proposing a ban, the Biden administration has been in talks with TikTok since September to try and find a solution. Now, having thrown its support behind Senator MarkWarner’s bill, the White House is demanding TikTok’s Chinese parent company, ByteDance, sell its stakes in the company to avoid a ban. This would be a major blow to the business, as TikTok alone is worth between $40 billion and $50 billion—a significant portion of ByteDance’s $220 billion value.

    Clearly, TikTok faces an uphill battle as its CEO Shou Zi Chew prepares to testify before the House Energy and Commerce Committee next week. But other social media companies are likely looking forward to seeing their primary competitor go—and are positioning themselves as the best replacement for migrating users.

    Meta

    Last year, The Washington Post reported that Meta paid a consulting firm to plant negative stories about TikTok. Now, Meta is reaping the benefits of TikTok’s downfall, with its shares rising 3% after the White House told TikTok to leave ByteDance. But this initial boost means nothing if the company can’t entice creators and viewers to Instagram and Facebook. And it doesn’t look promising in that regard.

    Having waffled between pushing its short-form videos, called Reels, and de-prioritizing them in the algorithm, Instagram announced last week that it would no longer offer monetary bonuses to creators making Reels. This might be because of TikTok’s imminent ban. After all, the program was initially meant to convince TikTok creators to use Instagram—an issue that won’t be as pressing if TikTok users have no choice but to find another platform.

    Snap

    Alternatively, Snap is doing the opposite and luring creators with an ad revenue-sharing program. First launched in 2022, creators are now actively boasting about big earnings from the program, which provides 50% of ad revenue from videos. Snapchat is clearly still trying to win over users with new tech like its OpenAI chatbot, which it launched last month. But it's best bet to woo the TikTok crowd is through its new Sounds features, which suggest audio for different lenses and will match montage videos to a song’s rhythm. Audio clips are crucial to TikTok’s platform, so focusing on integrating songs into content will likely appeal to users looking to recreate that experience.

    YouTube

    With its short-form ad revenue-sharing program, YouTube Shorts has already lured over TikTok creators. It's even gotten major stars like Miley Cyrus and Taylor Swift to promote music on Shorts. This is likely where YouTube has the best bet of taking TikTok’s audience. Since TikTok has become deeply intertwined with the music industry, Shorts might be primed to take its spot. And with its new feature that creates compiles all the videos using a specific song, Shorts is likely hoping to capture musicians looking to promote their work.

    Triller

    The most blatant attempt at seducing TikTok users, however, comes from Triller, which launched a portal for people to move their videos from TikTok to its platform. It’s simple, but likely the most effective tactic—and one that other short-form video platforms should try to replicate. With TikTok users worried about losing their backlog of content, this not only lets users archive but also bolsters Triller’s content offerings. The problem, of course, is that Triller isn’t nearly as well known as the other platforms also trying to capture TikTok users. Still, those who are in the know will likely find this option easier than manually re-uploading content to other sites.

    It's likely that many of these platforms will see a momentary boost if the TikTok ban goes through. But all of these companies need to ensure that users coming from TikTok actually stay on their platforms. Considering that they have already been upended by one newcomer when TikTok took over, there’s good reason to believe that a new app could come in and swoop up TikTok’s user base. As of right now, it's unclear who will come out on top. But the true loser is the user who has to adhere to the everyday whims of each of these platforms.

    https://twitter.com/ksnyder_db

    We Asked Our Readers How They’re Using AI in a Professional Setting. Here's What They Said

    Decerry Donato

    Decerry Donato is a reporter at dot.LA. Prior to that, she was an editorial fellow at the company. Decerry received her bachelor's degree in literary journalism from the University of California, Irvine. She continues to write stories to inform the community about issues or events that take place in the L.A. area. On the weekends, she can be found hiking in the Angeles National forest or sifting through racks at your local thrift store.

    We Asked Our Readers How They’re Using AI in a Professional Setting. Here's What They Said
    Evan Xie

    According to Pew Research data, 27% of Americans interact with AI on a daily basis. With the launch of Open AI’s latest language model GPT-4, we asked our readers how they use AI in a professional capacity. Here’s what they told us:

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