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A Lawsuit Blames ‘Defective’ TikTok Algorithm for Children’s Deaths
Christian Hetrick
Christian Hetrick is dot.LA's Entertainment Tech Reporter. He was formerly a business reporter for the Philadelphia Inquirer and reported on New Jersey politics for the Observer and the Press of Atlantic City.
Social media companies are often accused of hosting harmful content, but it’s very hard to successfully sue them. A federal law known as Section 230 largely protects the platforms from legal responsibility for hate speech, slander and misinformation created by its users.
But a new lawsuit blaming TikTok for the deaths of two children is taking a different approach. Rather than accuse the company of failing to moderate content, the complaint claims TikTok is a dangerous and defective product.
The suit, filed last week in Los Angeles County Superior Court, takes aim at the video sharing app’s recommendation algorithm, alleging that it served up videos depicting the deadly “Blackout Challenge,” in which people choke themselves to achieve a euphoric feeling. Two children—8-year-old Lalani Erika Walton and 9-year-old Arriani Jaileen Arroyo—died last year after allegedly trying the "blackout challenge," the suit said.
“We believe that there is a fundamental flaw in the design of the algorithm that directs these children to this horrific thing,” Matthew Bergman, the lawyer for the children's families, told dot.LA. Bergman is the founding attorney for the Social Media Victims Law Center, a self-described legal resource for parents of children harmed by social media.
Section 230 has long been an obstacle for social media’s opponents. "You can't sue Facebook. You have no recourse,” U.S. Sen. Richard Blumenthal, a Democrat from Connecticut, said last year after Facebook whistleblower Frances Haugen detailed Instagram’s toxic effect on young girls. The federal law’s defenders contend that Section 230 is what allows websites like YouTube and Craigslist to host user-generated content. It would be infeasible for companies to block all the objectionable posts from their massive user bases, the argument goes.
The strategy of bypassing that debate altogether by focusing on apps’ designs and features has gained steam lately. In May, an appellate panel ruled that Santa Monica-based Snap can’t dodge a lawsuit alleging that a Snapchat speed filter—which superimposed users’ speeds on top of photos and videos—played a role in a deadly car crash at 113 mph. The judges said Section 230 didn’t apply to the case because the lawsuit did not seek to hold Snap liable as a publisher.
Similarly, California lawmakers are advancing a bill that would leave social media companies open to lawsuits alleging their apps have addicted children. Proponents of the bill take issue with product features such as likes, comments and push notifications that grab users’ attention, with the ultimate goal of showing them ads.
“A product liability claim is separate and distinct from suing a company for posting third party content or publishing third party content, which we know has been unfruitful in many ways, for many years, as a vehicle to hold these companies accountable,” Bergman said.
Representatives for Culver City-based TikTok did not return a request for comment. In a previous statement about another TikTok user’s death, a company spokesperson noted the “disturbing” blackout challenge predates TikTok, pointing to a 2008 warning from the Centers for Disease Control and Prevention about deadly choking games. The spokesperson claimed the challenge “has never been a TikTok trend.” The app currently doesn’t produce any search results for “blackout challenge” or a related hashtag.
It’s too early to tell whether product liability claims will be more successful against social media companies. “We're realistic here. This is a long fight,” Bergman said. In the meantime, his suit against TikTok takes pains to note what it is not about: the users posting the dangerous challenge videos.
“Plaintiffs are not alleging that TikTok is liable for what third parties said or did [on the platform],” the suit said. “but for what TikTok did or did not do.”
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Christian Hetrick
Christian Hetrick is dot.LA's Entertainment Tech Reporter. He was formerly a business reporter for the Philadelphia Inquirer and reported on New Jersey politics for the Observer and the Press of Atlantic City.
Instagram Is Combatting Reposted TikTok Videos With a New Algorithm
12:51 PM | April 22, 2022
Photo by Claudio Schwarz on Unsplash
Instagram is tired of reposted TikTok videos dominating its feed—and is now doing something about it.
On Wednesday, Instagram head Adam Mosseri announced that the Meta-owned social media app is changing its algorithm to boost original, Instagram-hosted content. As Fast Company observed this week, the move appears geared toward combating the spread of TikTok-produced videos that have increasingly proliferated on Instagram.
As well as introducing new product tags and user category features, Mosseri said the new ranking system will boost photos and Reels made on Instagram across users’ feeds and their Explore page recommendations. The new algorithm comes as Instagram is beta-testing “Use Template,” a Reels feature that lets users replicate editing and formatting touches from other videos, Business Insider reported Friday.
Aggregators—accounts that repost viral content—are still popular on Instagram, and Mosseri tweeted that the new ranking system will ensure the app’s recommendations “don’t overvalue aggregators, as that would be bad for creators, and therefor [sic] bad for Instagram long term.” He noted that the algorithm predicts a post’s originality based on indicators like the people in the video and whether the algorithm has previously seen the content—but added the caveat that it “can’t know for sure” who the original creator is.
Despite launching Reels, its own short-form video feature, in 2020, Instagram has been confronted by TikTok’s growing prominence in recent years and made efforts to counter its rival’s popularity. Last year, Instagram’s algorithm began to make videos with visible watermarks from other social media platforms, including TikTok, less discoverable. Instagram’s efforts come amid recent reports that its parent company, Meta, reportedly financed a targeted public relations campaign against TikTok.
Other social media companies contending with Culver City-based TikTok’s massive user base have also tried to replicate the video-sharing app’s success. Snap launched its TikTok-esque Spotlight feature in 2020 and paid out some $250 million last year to more than 12,000 creators on the platform. In its first-quarter earnings report this week, Santa Monica-based Snap announced a 230% year-on-year increase in the total time spent by users on Spotlight.Read moreShow less
Kristin Snyder
Kristin Snyder is dot.LA's 2022/23 Editorial Fellow. She previously interned with Tiger Oak Media and led the arts section for UCLA's Daily Bruin.
https://twitter.com/ksnyder_db
Newlight Technologies Turns Pollution into Purses and Plastic
03:01 PM | October 19, 2020
Photo courtesy of Newlight Technologies
Newlight Technologies, a biotech company that will use microorganisms to produce biodegradable clothes and utensils, closed a $45 million Series F financing round last week. Houston-based Valedor Partners joined existing Newlight investors GrayArch Partners in completing the Series F financing.
This announcement comes a month after the opening of Newlight's commercial scale production facility in Huntington Beach. That facility was set up to produce the company's AirCarbon material, an alternative to synthetic materials made from the secretions of pollution-eating microorganisms. It will be the main ingredient in the company's two new brands: Restore, an alternative to plastic utensils and Covalent, a high-end fashion brand aimed at the eco-conscious consumer.
Newlight Technologies, founded in 2003, has spent over a decade developing materials the company says produces net zero pollution. They created AirCarbon through replicating natural processes that occur in our oceans.
"Today, we are primarily focused on producing AirCarbon in increasing quantity, bringing it to market through our foodware and fashion brands, and continuing to work with our partners to help increase the speed of our growth both on the supply and application sides," said Mark Herrema, Newlight's chief executive officer.
Consumers and companies' concern over climate change has increased demand for alternatives to plastics and other carbon-based products. The fashion industry, in particular, has come under fire for their heavy production of polyester clothes, which are petroleum-based and don't easily break down.
At their Huntington Beach production facility, Newlight recreates ocean water conditions that are ideal for the microorganisms they later add to thrive and consume dissolved greenhouse gases. They then collect pollutants such as methane gas to feed to the microorganisms. Afterward, the creatures excrete it, and their waste is dried into pellets, which are then melted and made into different materials.
This process produces no carbon waste and no greenhouse gases. In fact, they're actually consumed and do not return to the atmosphere. AirCarbon is also biodegradable, as it was made entirely by natural processes and organisms.
Joseph Greene, a professor of sustainable manufacturing and engineering at California State University, Chico, said he is looking forward to seeing them develop sustainable plastics for other manufacturing companies and industries as well.
"I'm not aware of any other company producing PHA with technology like this," said Greene, referring to polyhydroxyalkanoate, the term for biopolymer materials such as CarbonAir. "I think that Newlight has an excellent opportunity to transform the marketplace with a low-cost biodegradable PHA plastic."
Newlight has been producing straws and cutlery under their Restore brand, which hasn't yet been released, though the company offers pre-ordering online. These products are durable enough to be reused, though they disintegrate over time in ocean water.

"AirCarbon can be used to replace plastic and leather in a variety of applications, but we looked to see where we could have the most immediate impact. Since it is natural and ocean-degradable, and since foodware — things like straws, forks, cups, bottles — represent the majority of plastic product types in the ocean, we are focused today on using AirCarbon under our Restore foodware brand to make natural foodware to replace plastic foodware," said Herrema.
Newlight's luxury fashion brand, Covalent, allows consumers to dive into even more detail about the carbon footprint of their purchases. Using the timestamp that marks the day AirCarbon for the product was created, customers can use this "Carbon Date" to access IBM blockchain production history via the Covalent website for their purchase and the carbon footprint related to each part of the production process.

"We have developed a way to use AirCarbon to replace high-performance plastics, like acetate, and also animal and synthetic leather, so we are producing AirCarbon eyewear and AirCarbon Leather goods through our Covalent fashion brand to bring carbon-negative products into fashion, and help try to turn fashion into a force for environmental good," said Herrema.
Newlight's carbon footprints are verified by the Carbon Trust, a third party organization that offers carbon certification services. They found that for every kilogram of AirCarbon produced with renewable methane using Newlight's natural ocean microorganisms, 88 kilograms of carbon dioxide equivalent greenhouse gas are prevented from entering the atmosphere.
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Breanna De Vera
Breanna de Vera is dot.LA's editorial intern. She is currently a senior at the University of Southern California, studying journalism and English literature. She previously reported for the campus publications The Daily Trojan and Annenberg Media.
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