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Design, Bitches
Looking to Build a Granny Flat in Your Backyard? Meet the Firms and Designs Pre-Approved in LA
Sarah Favot
Favot is an award-winning journalist and adjunct instructor at USC's Annenberg School for Communication and Journalism. She previously was an investigative and data reporter at national education news site The 74 and local news site LA School Report. She's also worked at the Los Angeles Daily News. She was a Livingston Award finalist in 2011 and holds a Master's degree in journalism from Boston University and BA from the University of Windsor in Ontario, Canada.
Adding a backyard home in Los Angeles is now nearly as easy as buying a barbecue.
Homeowners who for years have wanted to build a granny flat in their backyard, but dreaded the red tape, can now choose from 20 pre-designed homes that the city has already approved for use.
The shift, made official last week, will speed up a weeks-long process and bring more badly needed units to an overpriced market. It also has the potential to elevate the 14 startups and firms building the next generation of homes.
The designs for the stand-alone residences range from a 200-square-foot studio to a 1,200-square foot, two-story, two-bedroom unit. And many of the homes are filled with design flourishes, reflecting the diverse architecture of the city, from a house in the silhouette of a flower to one with a spiral outdoor staircase leading to the roof.
It's no surprise. The program was spearheaded by Christopher Hawthorne, a former architecture critic at the Los Angeles Times and now the city's chief design officer.
The firms are primarily local and startup architecture and design firms, while others are well-known with a history of building granny flats, also know as accessory dwelling units, or ADUs.
The standard plans avoid the Los Angeles Department of Building and Safety's typical four-to six-week review process and can allow approvals to be completed in as quickly as one day.
Some aspects of the plans can be modified to fit a homeowner's preferences. Eight other designs are pending approval.
Mayor Eric Garcetti believes by adding more such units, the city can diversify its housing supply and tackle the housing crisis. Recent state legislation made it easier to build the small homes on the lot of single-family residences. Since then, ADUs have made up nearly a quarter of Los Angeles' newly permitted housing units.
Because construction costs are relatively low for the granny flats – the pre-approved homes start at $144,000 and can go beyond $300,000 – the housing is generally more affordable. The median home price in L.A. County in January was $690,000.
Here's a quick look at the designs approved so far:
Abodu

Abodu
Abodu, based in Redwood City in the Bay Area, exclusively designs backyard homes. In 2019, it worked with the city of San Jose on a program similar to the one Los Angeles is undertaking.
In October, it closed a seed funding round of $3.5 million led by Initialized Capital.
It has been approved for a one-story 340-square-foot studio, a one-story one-bedroom at 500 square feet, and a one-story, 610-square-foot two-bedroom.
The pricing for the studio is $189,900, while the one-bedroom costs $199,900 and the two-bedroom is $259,900.
Amunátegui Valdés Architects
Led by Cristobal Amunátegui and Alejandro Valdés, the firm was founded in 2011 and has offices in Los Angeles and Santiago, Chile. Amunátegui is an assistant professor at the Department of Architecture and Urban Design at UCLA.
The firm designs work in various scales and mediums, including buildings, furniture and exhibitions.
Its one-story, two-bedroom with a covered roof deck 934-square-foot unit is pending approval from the city.



Connect Homes
Connect Homes has a 100,000-square foot factory in San Bernardino and an architecture studio in Downtown L.A.
It specializes in glass and steel homes and has completed 80 homes in California. Its designs have an aesthetic of mid-century modern California residential architecture.
It has two one-bedroom models pre-approved by the city, one is 460 square feet, which costs $144,500 with a total average project cost of $205,000. The other is 640 square feet, which costs $195,200 with a total project cost of $280,000.



Design, Bitches
The Los Angeles-based architectural firm founded in 2010 describes itself as having a "bold and irreverent vision." Its projects include urban infill ground-up offices to single-family homes, adaptive re-use of derelict commercial buildings and renovations of historic landmarks.
Its pre-approved design, named "Midnight Room," is a guest house/ studio. Its bedroom can be left open for a loft feel or enclosed as a separate room. The design is a one-story, one-bedroom at 454 square feet.



Escher GuneWardena Architecture
Founded in Los Angeles in 1996, Escher GuneWardena Architecture has received international recognition and has collaborated with contemporary artists, worked on historical preservation projects and more.
The company has been approved for two different one-story, one- or two-bedroom units, one at 532 square feet with an estimated cost of $200,000 and another at 784 square feet with an estimated cost of $300,000. The firm noted the costs depend on site conditions and do not include soft costs. Those could add 10% to 12% to the total construction costs.



First Office
First Office is an architecture firm based in Downtown Los Angeles. Its approved ADUs will be built using prefabricated structural insulated panels, which allow for expedited construction schedules and high environmental ratings.
The interior finishes include concrete floors, stainless steel counters and an occasional element of conduit.
There are five options:
- A one-story studio, 309 to 589 square feet
- A one-story one-bedroom, 534 to 794 square feet
- And a one-story two-bedroom, 1,200 square feet



Fung + Blatt Architects

Fung + Blatt Architects is a Los Angeles-based firm founded in 1990.
The city has approved its 795-square-foot, one-story, one-bedroom unit with a roof deck. It estimates the construction cost to be $240,000 to $300,000, excluding landscape, site work and the solar array. Homeowners can also expect other additional costs.
Taalman Architecture/ IT House Inc.
The design team behind "IT House" is Los Angeles-based studio Taalman Architecture. Over the past 15 years, IT House has built more than 20 homes throughout California and the U.S.
The IT House ADU standard plans include the tower, bar, box, cube, pod and court.
The city has approved four options, including:
- A two-story including mechanical room, 660 square feet
- A two-story including mechanical room, 430 square feet
- A one-story studio, 200 square feet
- A one-story including mechanical room, 700 square feet
The firm also has another two projects pending approval: a 360-square-foot one-story studio and a one-story, three-bedroom at 1,149 square feet.


LA Más
LA Más is a nonprofit based in Northeast Los Angeles that designs and builds initiatives promoting neighborhood resilience and elevating the agency of working-class communities of color. Homeowners who are considering their design must commit to renting to Section 8 tenants.
The city has approved two of LA Más' designs: a one-story, one-bedroom, 528 square feet unit and a one-story, two-bedroom, 768 square feet unit. The firm has another design for a one-story studio pending approval. That design would be the first 3D-printed ADU design in the city's program.



Jennifer Bonner/MALL

Massachusetts-based Jennifer Bonner/MALL designed a "Lean-to ADU" project, reinterpreting the stucco box and exaggerated false front, both Los Angeles architectural mainstays.
The design has been approved for a 525-square-foot one-story, one-bedroom unit with a 125-square-foot roof deck.
sekou cooke STUDIO

New York-based sekou cooke STUDIO is the sole Black-owned architectural firm on the project.
"The twisted forms of this ADU recalls the spin and scratch of a DJ's records" from the early 90s, the firm said.
Its design, still pending approval, is for a 1,200-square-foot, two bedroom and two bathroom can be adapted to a smaller one-bedroom unit or to include an additional half bath.
SO-IL

New York-based SO-IL was founded in 2008. It has completed projects in Leon, Seoul, Lisbon and Brooklyn.
Its one-story, one-bedroom 693-square-foot unit is pending approval. It is estimated the construction cost will be between $200,000 and $250,000.
WELCOME PROJECTS

Los Angeles-based Welcome Projects has worked on projects ranging from buildings, houses and interiors to handbags, games and toys.
Its ADU is nicknamed The Breadbox "for its curved topped walls and slight resemblance to that vintage counter accessory."
It has been approved for a one-story, one-bedroom 560-square-foot unit.
wHY Architecture
Founded in 2004, wHY is based in Los Angeles and New York City. It has taken on a landmark affordable housing and historic renovation initiative in Watts.
Its one-story, one- or two-bedroom 480 to 800-square-foot unit is pending approval.



Firms that want to participate in the program can learn more here . Angelenos interested in building a standard ADU plan can learn more the approved projects here.
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Sarah Favot
Favot is an award-winning journalist and adjunct instructor at USC's Annenberg School for Communication and Journalism. She previously was an investigative and data reporter at national education news site The 74 and local news site LA School Report. She's also worked at the Los Angeles Daily News. She was a Livingston Award finalist in 2011 and holds a Master's degree in journalism from Boston University and BA from the University of Windsor in Ontario, Canada.
How Many Investors are Still Writing Checks During Coronavirus? One VC is Trying to Find Out
05:41 PM | March 18, 2020
When Laurent Grill, lead investor of the Santa Monica early stage venture fund Luma Launch, started emailing hundreds of fellow investors to see if they were still writing checks amidst the coronavirus pandemic, he was originally trying to find the next round of capital for one his own portfolio companies. But on Tuesday he decided to broaden his search and posted a query on LinkedIn.
"I reached out to hundreds of funds & am compiling a list across sectors and stages to help identify active investors in a time that is a bit unknown for all of us," Grill wrote.
Within hours, the post had gone viral.
"It's pretty overwhelming because I'm not an influencer," Grill told dot.LA Wednesday. "When I posted this, I didn't expect to have 500 notifications. My email box is unmanageable right now."
Grill quickly created Google forms to manage the rush of responses, one for investors and another for companies seeking capital. He plans to release the list next week.
"You had founders who are freaking out because their assumption is no one is investing." Grill said. "But investors are investing."

Luma Launch's Laurent Grill is cautiously optimistic about the state of VC investing.
Of the 150 responses he's received, only two investors have said they are not writing checks. They both wanted to see public markets stabilize before they jumped back in.
However, Grill sees the results as suspiciously positive, especially when investors insist that everything is "business as usual" amidst one of the most serious public health and economic crises of the last century.
"Something is off about that," said Grill. "I don't trust it."
He suspects deals have significantly declined, though no one wants to completely shut their doors. There are optics to consider and also the fear of overlooking the next great unicorn. "We live in an industry of FOMO, because if people aren't investing they are worried they are going to miss a deal," Grill said.
Ironically, Grill's Luma Launch, which he leads along with Matt Lydecker, is one of the firms that has paused investing. He says he wants to focus on getting their portfolio companies' house in order before deploying new capital.
"Our companies are dealing with how they're going to hit payroll," said Grill. "We have one company that has a case of coronavirus in it."
Grill says Luma is unique because it is corporate-backed and does not have a fund it has to deploy in a given timeframe. Founders needing money should find it somewhat reassuring that most firms still need to deploy their capital, though Grill worries about what conditions will look like in six months to a year from now when firms have to fundraise from limited partners who could have taken a severe hit in a broader economic downturn.
"If LP's are hurt, we're probably going to be looking at a long time before there's liquidity for fundraising," he said.
For now, Grill is focused on connecting founders and investors in the immediate crisis who might have a harder time meeting each other with offices closed, conferences cancelled, and face-to-face meetings postponed indefinitely.
"There's no benefit for me to do this, other than to help the community," Grill said. "We need people to step up who have the ability to step up."
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Ben Bergman
Ben Bergman is the newsroom's senior finance reporter. Previously he was a senior business reporter and host at KPCC, a senior producer at Gimlet Media, a producer at NPR's Morning Edition, and produced two investigative documentaries for KCET. He has been a frequent on-air contributor to business coverage on NPR and Marketplace and has written for The New York Times and Columbia Journalism Review. Ben was a 2017-2018 Knight-Bagehot Fellow in Economic and Business Journalism at Columbia Business School. In his free time, he enjoys skiing, playing poker, and cheering on The Seattle Seahawks.
https://twitter.com/thebenbergman
ben@dot.la
Riding Transit in SoCal Requires a ‘Pokémon Deck’ of Passes. Here’s How Experts Want to Change That.
01:42 PM | November 18, 2022
Photo by Walter Cicchetti/ Shutterstock
Gillian Gillett, program manager for the California Integrated Mobility Program at Caltrans, spread over a dozen cards on the floor of the conference room to make a point.
“Poor people wind up with a Pokémon deck in their wallet because we won’t give them the one thing that they actually need — which is a debit card,” she said.
In a workshop at the annual CoMotion L.A. tech and mobility conference, panelists discussed how to make paying for transit both more equitable and more intuitive.

Various forms of 'closed system' payment cards for transit agencies in SoCal and beyond.
Photo by Maylin Tu
Currently, the majority of California transit agencies offer their own “closed loop” form of payment, like a TAP card. You can’t pay for the bus or train directly with a credit or debit card when you board. You also can’t pay with a TAP card in San Francisco or a Clipper card in L.A. because each transit agency operates its own payment system. Multiply that by about 797 separate transit agencies in California (including paratransit) and a lack of interoperability translates into a lack of equity.
“Trying to give people money as a government entity right now is incredibly hard,” said Hunter Owens, benefits and delivery data manager at Caltrans. “The technology choices we made are screwed up.”
In L.A. County, 26 agencies accept TAP as a form of payment — but achieving consensus on low-income and senior discounted fares across all 26 agencies has proven impossible.
Additionally., 38% of bus riders, the majority of whom are low-income and people of color, pay their bus fares with cash. But new financial products like Venmo and Cash App, make it much easier for riders to pay without opening a traditional bank account.
Caltrans, for instance, is working with Square’s Cash App to bring unbanked and under-banked riders into the cashless future through a debit card they can use to pay for transit.
During its pilot with Monterey–Salinas Transit, 30% of new Cash App card customers in the region joined as part of the program. And by the end of August of last year, 93% of transactions were for food, not transportation.
“We literally use transit to bring them into the financial ecosystem,” said Gillett.
It’s expensive to be unbanked or under-banked — when American families received stimulus checks during the COVID-19 pandemic, an estimated $66.6 million went to check cashers, which take a portion of the funds. A family of five cashing a $3,900 check would have paid around $195 in fees.
The problem extends beyond equity. With so many different products, and so few options to pay for them, it becomes a basic question of access.
When people from around the world visit for the World Cup in 2026 or the Olympics in 2028 (which the city is touting as “car-free”), how will they figure out which pass to choose?
L.A. Metro alone has 750 fare products, ranging from the student GoPass to the regional EZ Pass. In addition, Metro is piloting a new program, the Sports and Entertainment Integrated Ticketing Program, that will bundle a transit pass with tickets to concerts or sporting events.
L.A. Metro’s current payment system contract ends in two years, and the agency is looking at new possibilities, including the mobility wallet being tested as part of the universal basic mobility pilot in South L.A. Participants will be able to pay for a range of mobility options with their TAP card, including ride-share and scooter-share (though it will still be a closed loop system).
Transitioning Metro’s payment system to an open loop system will require an extensive procurement process. Even if riders can pay for multiple forms of mobility with TAP, they will still need a TAP card to ride.
Ultimately, the future of paying for transit lies in an account-based system system, said Mark Lulic, senior industry consultant for Endava. When payment is tied to an individual account, that account can be integrated into multiple payment systems. Cities like New York and San Francisco have already started to implement an account-based system.
“When you start talking about that, that's an entirely different infrastructure issue. Now you're talking about telecommunications, not only telecommunications in physical locations, but also remotely on buses,” he said.
Eli Lipmen, executive director for nonprofit Move LA, questioned the efficacy of spending money on payment systems when fares are projected to bring in just $107 million to offset a $8.8 billion annual budget.
Between the payment system of the future and the current reality of coordinating with 26 different agencies, Manish Chaudhari, executive officer for TAP, said this week's panel is just the first stop on a long ride.
“We cannot spin up a whole new system in one night and create something wonderful,” he said.
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Maylin Tu
Maylin Tu is a freelance writer who lives in L.A. She writes about scooters, bikes and micro-mobility. Find her hovering by the cheese at your next local tech mixer.
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