When Noramay Cadena opened the bilingual children's books she had been gifted after she gave birth to her son last year, she was quickly taken back to her own childhood in Mexico. The book featured a Spanish-language lullaby, "The Pin Pon Song", about a cute cardboard doll, which Cadena described as both extremely silly and culturally significant.
"That's when I knew this was content that was by the community, for the community," she said. "As a user, I was really blown away by how they combined entertainment with education." She also thought the quality of the books was far higher than what she'd expect from what was then an early-stage startup based in L.A.
<p>
That would be Encantos, a publishing firm-turned-content house set on becoming the next big thing in edtech.
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In addition to being a mother, Cadena is also an investor. In 2015, she co-founded L.A.-based MiLA Capital, a seed-stage firm "that invests in tech you can touch." Smitten by the Encantos product, she was disappointed that the company didn't align with her fund's focus on tangible products. But earlier this month, after Encantos decided to extend its seed round, another fund Cadena helps lead – Portfolia – was able to get in on the action through its Raising America Fund, which is devoted to people of color and LGBTQ founders, along with companies that serve those populations.
</p><p>
Encantos,
<a href="https://dot.la/encantos-books-raises-2-million-2645090523.html" target="_self">which raised over $2 million in February</a> to expand its brands and product mix, recently launched its subscription app, which chief executive Steven Wolfe Pereira told dot.LA will lead the company's shift toward a "direct-to-learner" platform. Encantos extended that seed round to take advantage of the increased demand for edtech that's combined with kids and family entertainment, Wolfe Pereira said. He added that the company is at 120% of its fundraising goal and still waiting for a few investors to confirm their check amounts before the round closes in September.
</p><p>
"We believe we're building the most important, impactful and beloved entertainment edtech company on the planet," he said.
</p><p>
Cadena is bullish as well. "I see this brand becoming a billion-dollar business," she said.
</p><p>
Encantos' leaders and investors point to three factors they think will help it get there.
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</p><h2>The Right Recipe of Entertainment, Education and Technology
</h2><p>
"We start with character and story," said Encantos Chief Creative Officer Susie Jaramillo, who co-founded the company with Wolfe Pereira after becoming a mom and quickly recognizing the dearth of Latinx-oriented children's content. She took two years off "to literally just draw," and designed Encantos' flagship brand: Canticos, about three little chickens. Those
<em>pollitas</em> – which stem from another beloved Spanish-lanugage lullaby – evolved from a children's board book to Emmy-nominated Nick Jr. television show.
</p><p>
"If you don't have a strong character and a strong story, you have nothing," she said. The growth of Canticos established the playbook for Encantos to build out its other brands.
</p><p>
The educational component follows the story, Jaramillo said. Her colleagues in charge of the learning design look at the story and characters. They then decide what skills it lends itself to, and strategize how to incorporate those skills and stories into lessons across the company's products.
</p><p>
"It's not a counting story every time," Jaramillo said. "It's problem-solving, creative thinking, skills that will help you in the workplace. We make sure we're checking the box on (a range of) character traits (across our suite of stories and products)."
</p><p>
Then comes the tech, namely in the form of the recently launched subscription app, which Wolfe Pereira said has over 200,000 subscribers so far. The hope is that as kids engage with the app and the various stories and characters over time, the company will be able to develop a "learning graph" personalized for each user.
</p><p>
"If we do this right, we can take the wonderful data visualization that exists in enterprise or consumer products like the Apple Watch and understand each kid's learning journey over time," Wolfe Pereira said.
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<img type="lazy-image" data-runner-src="https://dot.la/media-library/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzU1OTk5NS9vcmlnaW4ucG5nIiwiZXhwaXJlc19hdCI6MTY0MDY5MTQ0MX0.TdNqU9dE5pEboKdBr7dp7LwqNxlaavQ-ZXED049Wxd4/image.png?width=980" id="e344b" class="rm-shortcode" data-rm-shortcode-id="1be318a720cffcadaa503cd522ea354d" data-rm-shortcode-name="rebelmouse-image" />
<small class="image-media media-photo-credit" placeholder="Add Photo Credit...">Courtesy of Encantos</small>
</p><h2>A Range of Physical and Digital Products
</h2><p>
Along with shows like "Canticos", Encantos offers a variety of physical products including books, toys and games, in addition to its subscription app. This diversity of products is key to its strategy: according to a company pitch deck shared with dot.LA, the digital products are meant to drive revenue, while the books and other physical products build loyalty.
</p><p>
Marlon Nichols, partner at L.A.-based MaC Venture Capital, which has invested in Encantos, likes how "they have a number of monetization schemes and strategies and models that all center around a theme of creating high-quality children's content."
</p><p>
Cadena also points to the range of ages that the company can serve as a big draw, from both a user's and investor's perspective. Encantos is aiming to design products for kids aged 0-2, 3-5, 6-8 and 9-12.
</p><p>
"There's no single company that owns a portfolio of products that appeal to kids throughout all these phases of childhood," Portfolia wrote in
<a href="https://www.portfolia.co/blog/rising-america-invests-edtech-encantos" target="_blank">its press release about the recent investment</a>.
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</p><h2>Building on Cultural and Demographic Trends
</h2><p>
Wolfe Pereira says the growing generation of millennial parents want more culturally relevant, useful education for their kids. He looks at the fact that Latinx characters appear in <a href="https://ccbc.education.wisc.edu/books/pcstats.asp#USonly" target="_blank">about 5% of childrens' books</a> even though Latinx youth <a href="https://www.brookings.edu/research/new-census-data-shows-the-nation-is-diversifying-even-faster-than-predicted/" target="_blank">comprise over 25% of the U.S. population under 16</a> – and how their parents' <a href="https://www.nielsen.com/us/en/insights/article/2019/la-oportunidad-latinx-2/" target="_blank">purchasing power is growing</a>. Wolfe Pereira also sees the pandemic driving up homeschooling, remote learning and video streaming, as well as the value of animated content — which is safer for studios to produce in a pandemic. These trends lead him to conclude that "we check all the boxes in an interesting way."
</p><p>
Jaramillo pointed to the growth of the Black Lives Matter movement as further evidence that the demand for new, diverse characters is here to stay.
</p><p>
Encantos' next brand, Issa, is slated to launch on "a major streamer," probably in late 2021, according to Aliya LeeKong, who created the character whose magic cookbooks help her to travel the world to share food and culture with new friends. LeeKong said Issa was inspired by a realization she had, when she had her own daughter, that there were few places for children to learn about food and nutrition, and even fewer children's characters who looked like her kid.
</p><p>
Encantos' diversity permeates its leaders and investors. As a public benefit corporation, it is beholden to stakeholder value, not just shareholders. Cadena says this authentic incorporation of diverse perspectives at the highest level enables content and products that other, less diverse funders and executives might overlook – like her old lullaby buddy, the cardboard doll who goes by the name of Pin Pon.
</p>
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Bilingual Publisher Encantos Raises $2 Million to Launch Subscription Box, Expand Spanish Content
Feb 10 2020
A then-tech executive at Oracle in 2015, Steven Wolfe Pereira was a new father and wanted to do some more meaningful work. So with his wife, who had run Twitter's multicultural market strategy, and their two good friends, they began pitching an idea of a bilingual children's book series to publishers.
"I was aghast at the responses I was getting," he said. "They were like, 'Latinos really don't read'. It was really insulting."
<p>So, the four — all with Latin immigrant roots — came up with their own brand, Encantos, that loosely translates in Spanish to "charming." It started with a board book, app and YouTube channel that had traditional Latino children's songs in Spanish and English like <em>Los Pollitos Dicen </em>or a different take on Happy Birthday, <em>Las Mañanitas. </em>They called it Canticos.</p><p>Two years after launching, Encantos picked up a deal with Nickelodeon to license Canticos. And the company has been expanding their edu-tainment brand since. Pereira, whose family is from the Dominican Republic and who took over as chief executive last year, said the public-benefit company aims to be a culturally authentic direct-to-consumer brand for preschoolers. </p><p>Last month, the company raised $2 million in an oversubscribed seed round Oakland-based Kapor Capital with Boston Meridian Partners, Chingona Ventures, Human Ventures, and MathCapital. </p><p>Encantos plans on using the funds to launch a subscription box service tied to their TinyTravelers series, books exploring cultures around the world. It also is looking to grow their brands. Chef and television personality Aliya LeeKong announced last week she is launching "Issa's Edible Adventures" in partnership with Encantos. The book, app, and animated series is centered around a "feisty, funny, and resourceful" 7-year-old, half-black and half-Indian girl. </p><p>Wolfe Pereira, who helped bootstrap the company, said Encantos wants to tell stories that aren't being told elsewhere and will be using a diverse cadre of writers.<br/></p><p>"Part of the issue is we don't have enough diverse voices in 'the room where it happens' so we can have culturally authentic voices sharing their everyday lived experiences," he said. </p><p>About 41 million Americans speak Spanish, but options for Spanish children's books have been slim, he noted. </p><p>Many blame this on the lack of diversity in the publishing, which recently came under fire over "American Dirt," a novel by Jeanine Cummins about a woman who fled Mexico to escape cartels. Latinx writers challenged the portrayal of the immigrant experience as a cheap stereotype that sailed through the largely white literary world because there are few people of color in the upper ranks of the industry.</p><p>"Lots of people talk about diversity, equality and inclusion — but year after year it's just that: talk," <strong></strong>Wolfe Pereira said. "This is impacting every industry, not just the publishing industry. But for some reason, it's really pronounced in publishing. 'American Dirt' is just one of many, many examples where folks miss the mark. It's 2020, and over half of all kids in America are multicultural. Diversity is a business imperative today."</p>
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