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XInfluencer Marketing Startup CreatorIQ Raises $40 Million to Make Analytics More Accurate
Samson Amore is a reporter for dot.LA. He previously covered technology and entertainment for TheWrap and reported on the SoCal startup scene for the Los Angeles Business Journal. Samson is also a proud member of the Transgender Journalists Association. Send tips or pitches to samsonamore@dot.la and find him on Twitter at @Samsonamore. Pronouns: he/him

As TikTok and YouTubers become the go-to brand spokespeople, companies are looking to use data to figure out which influencers are worth their money and how to best convert their fans to consumers.
CreatorIQ, which raised on Tuesday $40 million to build out its brands and influencer software, uses artificial intelligence to determine how engaged social media stars are and with which audiences.
CreatorIQ chief executive Igor Vaks said the funding is a key part of building out an accurate analytics platform that can track an influencer's true impact. It's easy for social media analytics to be inflated by bot accounts or duplicate followers, and Vaks wants CreatorIQ to develop technology that will get as accurate of a read on someone's social footprint as possible.
"The advancement of measurement in the category - especially around sales and media effectiveness - is critical to the business goals of progressive brands," Vaks told dot.LA. "With this funding, we'll continue to evolve our attribution models, measurement capabilities, and social commerce features in order to both meet today's needs and drive tomorrow's evolution."
CreatorIQ competes with a number of firms on the West Coast that are in the influencer marketing data business, including Santa Monica-based Tagger and Grin, a similar firm based in San Francisco. Influencer marketing is quickly becoming more popular, and Statista reported that between 2019 and 2021 the market size nearly doubled -- by the end of this year the market share is expected to hit $13.8 billion.
The Culver City-based company has raised $80.8 million since its 2014 launch. CreatorIQ has roughly 300 clients, including big-box brands like Sephora, Salseforce, Disney and Unilever.
CreatorIQ's platform is currently used in 65 countries and it's compatible with global social media platforms like YouTube, TikTok, Weibo, Line and Instagram. The platform uses artificial intelligence to monitor engagement on posts in ad campaigns and keeps detailed data on influencers, including their follower count. This data is valuable: along with other factors, it helps the company's clients decide which spokespeople and audiences to target for marketing campaigns.
Following a 2019 funding raise worth $12 million, CreatorIQ promised to take steps to make its data more accurate and said it created that could separate duplicate followings and weed out fraudulent accounts following its influencers.
"We developed proprietary technology to determine the integrity of a creators' following that allows advertising partners to identify creators with authentic audiences, and get an accurate look at what percentage of that audience is truly engaged with them," Vaks explained.
Vaks said consumers are more likely to respond favorably to an ad if it comes from a person they view as a trusted source. Basically, it pays to have personality.
"It's about trust and affinity. Anyone, not just younger audiences, is more likely to engage with recommendations from a trusted source over a traditional ad," Vaks said. "That's why it's so important for brands to develop authentic, symbiotic relationships with creators and work together to reach a shared audience."
Social platforms like Facebook and its subsidiary Instagram as well as YouTube and Snapchat are beginning to open up their creator marketplaces to influencers who want to take full advantage of selling in-app. TikTok is getting in on the hustle too, and announced in August it would let marketing companies also integrate with its data beginning this month.
Unilever is both a client and a backer of CreatorIQ; it bought in during the startup's March 2019 Series B funding round worth $12 million and also contributed funding to this round. New investor Silver Lake Waterman joined this round, along with existing backers TVC Capital, Affinity Group and Kayne Partners Fund, a private equity division of Mid-Wilshire-based Kayne Anderson Capital Advisors.
"Influencer marketing is a key area of opportunity and differentiation that brands and agencies are eager to address with next generation analytics and automation," Silver Lake Waterman managing director Shawn O'Neill said in a statement Tuesday. "CreatorIQ's strength in data analysis and management is driving its leadership position and we are excited to partner with them to help drive their continued growth and market adoption."
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Samson Amore is a reporter for dot.LA. He previously covered technology and entertainment for TheWrap and reported on the SoCal startup scene for the Los Angeles Business Journal. Samson is also a proud member of the Transgender Journalists Association. Send tips or pitches to samsonamore@dot.la and find him on Twitter at @Samsonamore. Pronouns: he/him
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Mother Blames TikTok For Daughter’s Death in ‘Blackout Challenge’ Suit
Christian Hetrick is dot.LA's Entertainment Tech Reporter. He was formerly a business reporter for the Philadelphia Inquirer and reported on New Jersey politics for the Observer and the Press of Atlantic City.
The mother of a 10-year-old girl who died after allegedly trying a dangerous online “challenge” has sued Culver City-based TikTok and its Chinese parent company ByteDance, claiming the social media app’s algorithm showed her videos of people choking themselves until they pass out.
Nylah Anderson, an intelligent child who already spoke three languages, was “excruciatingly asphyxiated” and found unconscious in her bedroom on Dec. 7, according to a complaint filed Thursday in federal court in Pennsylvania. She spent five days in pediatric intensive care until succumbing to her injuries.
The lawsuit, filed by her mother Tawainna Anderson, claims TikTok’s algorithm had previously shown Nylah videos depicting the “Blackout Challenge,” in which people hold their breath or choke themselves with household items to achieve a euphoric feeling. That encouraged her to try it herself, the lawsuit alleged.
“The TikTok Defendants’ algorithm determined that the deadly Blackout Challenge was well-tailored and likely to be of interest to 10-year-old Nylah Anderson, and she died as a result,” the suit said.
In a previous statement about Nylah’s death, a TikTok spokesperson noted the “disturbing” challenge predates TikTok, pointing to a 2008 warning from the Centers for Disease Control and Prevention about deadly choking games. The spokesperson claimed the challenge “has never been a TikTok trend.” The app currently doesn’t produce any search results for “Blackout Challenge” or a related hashtag.
“We remain vigilant in our commitment to user safety and would immediately remove related content if found,” the TikTok statement said. “Our deepest sympathies go out to the family for their tragic loss.”
At least four other children or teens have died after allegedly attempting the Blackout Challenge, according to the Anderson lawsuit. TikTok has grappled with dangerous challenges on its platform before, including one in which people tried to climb a stack of milk crates. That was considered so dangerous that TikTok banned the hashtag associated with it last year. In February, TikTok updated its content rules to combat the dangerous acts and other harmful content.
The Anderson lawsuit comes as lawmakers and state attorneys general scrutinize how TikTok and other social media can be bad for teens and younger users, including by damaging their mental health, causing negative feelings about their body image and making them addicted to the apps.
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Christian Hetrick is dot.LA's Entertainment Tech Reporter. He was formerly a business reporter for the Philadelphia Inquirer and reported on New Jersey politics for the Observer and the Press of Atlantic City.
Netflix's New Culture Memo Addresses Censorship and Corporate Secrecy
Kristin Snyder is an editorial intern for dot.la. She previously interned with Tiger Oak Media and led the arts section for UCLA's Daily Bruin.
Netflix promised change after its poor first-quarter earnings. One of the first targets: the Netflix Culture document.
The changes, which Variety reported on Thursday, indicate a new focus on fiscal responsibility and concern about censorship. While promises to support honest feedback and open decision-making remain, the memo’s first update in almost five years reveals that the days of lax spending are over. The newly added “artistic expression” section emphasizes Netflix’s refusal to censor its work and implores employees to support the platform’s content.
The “artistic expression” section states that the company will not “censor specific artists or voices” and specifies that employees may have to work on content “they perceive to be harmful.” The memo points to ratings, content warnings and parental controls as ways for users to determine what is appropriate content.
Censorship has been a contentious issue within Netflix. Last year, employees walked out in protest after the company stood by comedian Dave Chappelle’s special, “The Closer,” which many said was transphobic. The streaming service has since announced four more specials from the comedian, who was attacked on stage at Netflix’s first comedy festival. The show will not air on the platform, as Netflix did not tape the event.
The reaction to Chappelle’s 2021 special ripples further in the updated memo. After firing an employee who leaked how much the company paid for the special, the new “ethical expectations” section directs employees to protect company information.
The memo also reflects pressure borught by poor first-quarter earnings. Employees are now instructed to “spend our members’ money wisely,” and Variety reported that earlier passages that indicated a lack of spending limits were cut. Variety also found that the updated memo removed promises that the company would not make employees take pay cuts in the face of Netflix’s own financial struggles.
These updates come as employee morale has reportedly dropped and editorial staffers at the Netflix website TuDum were laid off en masse. Those employees were offered two weeks of severance pay—and Netflix has now cut a section in the memo promising four months of full pay as severance.
As the company that literally wrote the book on corporate culture faces internal struggles, it's unlikely that making employees take on more responsibility while prioritizing corporate secrecy and discouraging content criticism will improve morale.
Kristin Snyder is an editorial intern for dot.la. She previously interned with Tiger Oak Media and led the arts section for UCLA's Daily Bruin.
‘Raises’: Mahmee Secures $9.2M, Wave Financial Launches $60M Fund
Decerry Donato is dot.LA's Editorial Fellow. Prior to that, she was an editorial intern at the company. Decerry received her bachelor's degree in literary journalism from the University of California, Irvine. She continues to write stories to inform the community about issues or events that take place in the L.A. area. On the weekends, she can be found hiking in the Angeles National forest or sifting through racks at your local thrift store.
Venture Capital
Mahmee, an integrated care delivery platform for maternal and infant health that connects patients, health professionals, and healthcare organizations to increase access to prenatal and postpartum care, raised a $9.2 million Series A funding round led by Goldman Sachs.
FutureProof Technologies, a climate risk analytics platform, raised $6.5 million in capital led by AXIS Digital Ventures along with Innovation Endeavors and MS&AD Ventures.
Anja Health, a doctor-backed cord blood banking company, raised $4.5 million led by Alexis Ohanian's Seven Seven Six.
Funds
Wave Financial LLC, a digital asset investment management company, is launching a $60 million fund to deploy capital via cryptocurrency.
Raises is dot.LA’s weekly feature highlighting venture capital funding news across Southern California’s tech and startup ecosystem. Please send fundraising news to Decerry Donato (decerrydonato@dot.la).
Decerry Donato is dot.LA's Editorial Fellow. Prior to that, she was an editorial intern at the company. Decerry received her bachelor's degree in literary journalism from the University of California, Irvine. She continues to write stories to inform the community about issues or events that take place in the L.A. area. On the weekends, she can be found hiking in the Angeles National forest or sifting through racks at your local thrift store.